Love and Blame
Who’s wrong? Is it me, or is it you? I’ve been trying to figure it out all day. If it’s neither of us, then who is it?
I’m triggered. I triggered you. You triggered me. We’re both upset. Someone’s insensitive. Someone stepped wrong. Someone did something! Whose fault is it? No one? How can I be disappointed and angry if it’s no one’s fault?
If it’s no one’s fault, then why do I feel like this?
Ahhhh. I get it. I feel like this exactly because it’s no one’s fault. I’m too nice to blame someone else. I’m too “conscious” to process backward in time and blame my parents, and my genes, and even you. So I’m hanging out here in space. So…it must be me. It must always be me.
If the Universe brings me what I want (even when I don’t know what that is), and I’m sitting here in yucky stuff, then I must want it. Ahhhh…I’m to blame!
Wait! If it’s good stuff, I’m a manifester of my powerful, beautiful destiny. If it’s yucky, I’m to blame.
This doesn’t go well with my success dressing. Definite clash of colors and tone.
Here’s a Rori Raye way to match yourself up inside, and share how you feel and who you are with your man.
A very famous New York acting coach, Mira Rostova, once taught me how to turn scripted dialogue into human emotions. Some would say it was a highly “technical” way to approach acting. We’d analyze every word, figuring out not how we, as actors, would instinctively say the words or play the scene, but how human beings would actually behave. One of her tools was something she called “The Admit.”
‘The Admit” is simply saying What Is. No emotion at all. A man asks us for the time - it’s two o’clock. He asks us about our work - we’re secretaries or teachers or entrepreneurs. Our man asks us nothing and we tell him the best way to get to the freeway. In life, so many of us live out the dialogues of our life in “The Admit.” We feel blank, numb, on the surface. We go directly to the facts. If we do this enough, we can forget we ever feel anything at all.
And then we start playing the scenes of our lives in other “chosen” emotions. If we’re in “It’s my fault” a lot, then everything we say starts with I’m sorry. If we’re in “It’s your fault,” then everything we say, think and feel starts with Why?
If we’re in “It’s no one’s fault, it just Is,” then what? Confusion, depression, blank, numb, a desperate search to find out Why and find someone to blame? Please?
Try something else. First, try Finding a Feeling. Yep. Anything. Could be anxiety, tension, confusion, emptiness (works for that blank, numbed out state), anger (works for that It’s all your fault place), sadness (works for that It’s all my fault place), anything.
If what you feel is Nothing (like in that song from A Chorus Line) or I don’t know what I feel, look again.
Is it really just “two o’clock?” Are you really just a job description? Do you really have to get to the freeway at all? If you really sink down into yourself, you might find yourself appreciating that you even know the time, or that he asked. You might feel nervous that a cute guy walked up to you and tried to make conversation.
You may actually find you feel something about two o’clockness, or about the work you do. And about the freeway, you may discover how odd and helpless it feels to really allow yourself to be a passenger.
Just because your first thought may be judgmental - either about him Couldn’t he come up with a better line? Doesn’t he know the freeway is faster? or about you I look yucky! - doesn’t mean you’re feeling angry or irritated, or that you don’t care if you ever go on another date with anyone as long as you live, or even that you’re “insecure.” You could actually be feeling scared, or uncomfortable, or overwhelmed.
Even if, in this moment, you can’t be who you want to be - you can be who you are. Even if who you are right at this moment is no one you can quite put your finger on - you can simply be where you are. And you can put words to that.
You can actually say, Oh, it feels so great to go without a watch - I don’t know what time it is! Or, It feels so great to wear a watch that works - it’s two o’clock. Or, It feels great to be almost done with shopping and it’s only two o’clock! Or, I get to feel like a kid teaching teenagers all day, or I get to have fun looking at houses all day for my clients to buy and sell - I’m a realtor. Or, in the case of the freeway, just say nothing at all and feel how uncomfortable that can feel.
And then see what happens.
What happens, always, is that the dialogue moves from inside us to out in the world.
Suddenly, instead of talking only to ourselves and behaving as if we are somehow different than we feel at any given moment - as if the men in our lives are not real people capable of talking with us - we allow someone else into the conversation.
Most of the time, we don’t even give the guy a chance. We decide what’s up with us, and then what’s up with him, and then we guess about how to behave, and then he bounces off that. Before you know it, we’re in a dialogue with no one but ourselves. Connection can’t happen until we let him in - not just into the conversation in our heads, but into the feelings in our bodies.
We are all movers and shakers. We all make things happen and stop things from happening. Sometimes we are triggered, and sometimes we do the triggering. The problem in assigning the “fault,” or the “blame,” or “the responsibility” is in trying to figure out exactly who got the ball rolling in the first place. Sometimes we think it’s pretty clear, and sometimes we guess and find out later there’s more to it than we saw the first time around.
Most of us only go to It’s all your fault because our first thoughts are It’s all my fault. Then, again, some of us go to It’s all my fault because long ago, we were taught never to go to It’s all your fault.
What if it’s no one’s fault, but it’s okay to still feel awful?
Can you live with that? Sure you can. Feelings are just feelings. They come and go. They do not define us. They do not relegate us to categories and descriptions and labels. Feelings do make us human, touchable, wonderful, magnetic and individual.
Instead of spending your energy asking yourself Why? first ask yourself What Am I Feeling Right Now?
If the answer to the question What Am I Feeling Right Now? seems to always be I don’t know, then please believe me, you have feelings. You may not be finding them just yet, but they’re really there. And there are great, wonderful, ecstatic feelings to be found along with the yucky ones.
Feeling is like breathing. Sometimes we hold our breath. Sometimes we forget to breathe. Breathing is simple to us, complex if you really think about it. Feelings are complex, and really simple if you think about it. Like breathing, feelings are not about Why? Feelings, even the absence of feelings, are about Right Now.
Mira was right that so many of us real people speak so much of the time in “The Admit,” whereas actors, wanting to juice everything up, want to find emotions to play. Be the actor of your own life. Find out what’s behind your thoughts, not by climbing up into your brain and asking “Why?” but by sinking down into your feelings and asking “What?”
When I left Mira and found another teacher, one who worked in a completely different and very organic way, I discovered many, many more layers of real human behavior than all of my “Whys?” could touch. It’s my life’s journey, and now my life’s work, to follow feelings, rather than try to put them in boxes with labels.
Find yours, baby step by baby step, and treasure them. As you cherish your own feelings, so will every man you meet, even one you’ve lived with for years.
It’s not a matter of whose fault it is. It’s a matter of how you feel.
Love, Rori
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Okay, This is when my daughter was little, and my husband looked like Hugh Grant (he still does…the more current one is a little down the page here…)
